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Alcatraz. Only one man has ever
broken out. Now five million lives depend on two men breaking
in.
All movies have good and bad
points, but The Rock strikes me as having a couple of really
fundamental issues that can be summarised in a couple of
lines:
On the plus side it stars Sean
Connery
On the other hand, it also stars
Nicholas Cage.
It has tons of action, a good
helping of shooting, an excellent car chase and a novel way of
smashing up a San Francisco cable car.
However, it has a plot thinner
than a supermodels panties.
That’s really all you need to know
about The Rock, but for the sake of completeness, here is a
somewhat fuller description:
Connery is as close to a Movie God
as you get and although I prefer Brosnans' Bond, that says
more about my age than it does about his abilities. He is
perfectly cast as John Patrick Mason, an ex British Army SAS
officer who many years ago had some nasty secrets about the
Americans (just about every nasty secret in fact - quite how
he came by them is lost somewhere in the midst of the plot
quagmire) and refused to give them up. In the true spirit of
democracy and every man being equal under the law, the honest
and incorruptible (pardon my mirth) Americans chuck him in
jail and throw away the key. Part of the reason he is put into
the deepest, darkest hole they can find, his identity hidden,
his past erased, is that he is the one person to have ever
escaped alive from Alcatraz. Presumably if he can escape from
there, anywhere else should be easy. What doesn't make any
sense is why the US authorities don't just bump Mason off - it
would be a lot easier than keeping him in prison forever. At
the risk of doing Connery a dis-service I should point out
that he plays Mason in exactly the same way as he plays
everyone else. That is to say, as himself. Luckily in this
instance it doesn't matter on bit. Even when it does matter he
seems to get away with it (I am reminded of the Scottish
Russian Captain Marko Ramius in The Hunt for Red
October..)
Cage plays Stanley Goodspeed, an
FBI chemist tasked with investigating and defusing nasty
terrorist surprises. His life is clearly lacking in
excitement, but its all about to change. Not only is his
girlfriend pregnant but a Army General is about to lose his
marbles and hold the city of San Francisco to
Ransom.
Ed Harris is the highly decorated
General Francis X Hummel who is suffering from a twinge of
conscience over all the men under his command who have died on
'black' operations and the been conveniently forgotten by the
US government. He intends to take matters into his own hands
and make sure the families of those who died are well cared
for. His method for producing the necessary charity is
somewhat unconventional. Rather than having a raffle or
holding a benefit he, along with a few good men under his
command, steal 15 VX gas equipped warheads, kidnap 81 tourists
and dig-in on Alcatraz. Just to make the point he phones
director Womack of the FBI (John Spencer)and explains that he
requires $100 million in compensation (I call it ransom) with
which he intends to pay off the families of those killed in
action and then take himself and his band of mercenaries off
to a warm and sunny non-extradition country where they will
live the rest of their lives in palatial luxury. If he doesn't
get his money he will execute some of his kidnap victims and
then destroy San Francisco with the nerve gas.
Obviously the US government can't
accept his demands and decides that the best option would be
simply to vaporise the entire island. Mercenaries, nerve gas
and tourists all gone in one easy move. Unfortunately, it
transpires that VX gas doesn't burn up in normal napalm and
the new super hot burning weapon isn't ready yet. So the only
immediate option is a manned attack on the island. Rather than
just sending in crack assault troops, the FBI decides to
complicate matters by sending Goodspeed with them to defuse
the rockets and Mason to show them the way in. (Who better to
find their way secretly into Alcatraz than the only man to
have escaped. Unfortunately, having been locked away without
trial for most of his life, Mason isn't too enamoured with
this idea. He escapes from custody and makes a mad dash to see
his daughter. This leads to a fantastic chase through the
streets of San Francisco with Mason in a Hummer chased by
Goodspeed in a sports car.
After they get Mason back, it's
time to begin the assault on the island. From this point on,
any kind of sense or reason in the story goes out of the
window in order to allow various action movie things to
happen. Whilst I am no military strategist, even I know that
you don't make a covert attack on a heavily guarded island
equipped with radar, by helicopter. On the other hand if you
are a sound designer, you need that helicopter sound to make
the windows shake and give you an excuse to pan a sound around
the other five channels of audio.
This use of stunts and effects
purely for the sake of it becomes a bit of a running theme
throughout the rest of the movie. However, Connery and Cage
manage to hold the whole thing together pretty well and even
develop a bit of character depth for each other. Ed Harris
seems to have spent his life playing the all American hero and
obviously relishes the chance to be a bad boy for a change.
Unfortunately he ruins all of it right near the end with an
almost whispered 'What have I done!'
So as a movie, The Rock is an
awful interpretation of an excellent idea. It could have been
much, much better but so little attention was paid to making
the plot work that I wonder if it wasn't written as a
detention paper by someone in remedial screenwriting. But sad
to say, I really enjoyed it. True I find Cage irritating in
the extreme, but his Goodspeed character is really quite
likeable and I might even have warmed to him if he hadn't been
made to spend so much time doing ridiculous things. The way he
disarms the rockets is totally laughable and obviously
designed purely to increase tension . It’s a movie to watch
once only, unless you can suspend your brain from doing any
thinking.
As a DVD The Rock is just average.
The video is nothing special, but tidy with no sign of any
digital artefacts. The sound is good and well placed, but a
little heavy at times with respect to the dialogue. You don't
get anything worth talking about in the way of extra material
- just a single trailer. Its certainly one to watch - but I'd
be tempted to rent not buy. |